Showing posts with label Chris Irvin. Show all posts
Showing posts with label Chris Irvin. Show all posts

Saturday, October 21, 2017

Having a Blast at Bouchercon 17

Well, that was fun! Bouchercon '17 has come and gone, leaving a Niagara of good memories, seeing old friends, and making new friends.




We dashed through heavy Toronto traffic in the early morning light, to get me there on time for Author Speed Dating, where a partner and I pitched our writer chops to 20 different tables of people. Arriving barely in time, I was a wee bit pumped, and my partner, the estimable Warren Moore, said of me: "The combination of adrenaline and coffee had placed him somewhere between “ebullient” and “auctioneer on meth"..."
Here's one of our soon-to-be stars from Boston, Joanna Schaffhausen, taking part.


And a Maine star, Bruce Robert Coffin, stopping by.
To see an interview with Bruce, click here


Had a blast telling our author pitch story 20 times over, as people took notes on new authors and books they'd like to try.
As soon as this event was done, it was off to the bookroom, with all the book vendors.
I was delighted that I'd gone with Myth Hawker Books as a vendor, because the long-suffering Pat loves Indies, and put up with me and my antics all weekend, while I did what I could to sell my Zack Taylor series.

Must have done something right- before Pat had even rung in the books to her inventory, my favorite new fan came by and bought all five books- the entire series! Many thanks to Michelle.


Other authors came by to see how their books were selling. Here's EC Bell and Lisa Lieberman




 Pat with Amy Reade


And the sassy and successful S G Wong


Angela Neary

There were gents as well. Here's Charles Salzburg



 And debut authors galore, with their first book out, like Roger Johns and Douglas Lutz


Another debut author, R. Daniel Lester


 A big part of the conference is author panels, explaining many different topics. 
Ours was on the dark side of fiction.


The crowd was good- more filled in as they kept coming.


And we got to sign books in the big room afterward. Someone who'd attended our panel bought the first Zack Taylor mystery, A Memory of Grief, because of what she'd heard in that hour.


So there were meals, in between seeing people and panels- here's lunch with Lisa Lieberman


And Sheila Connolly. Yes, that is octopus you see in her dish. I can't imagine how hungry I would have to be to ingest that...


And at the next table over were writing superstars Louise Penny and Ann Cleeves, 
who graciously allowed me to interrupt their meal and even posed for publicity.


And we had a celebratory official Sisters in Crime breakfast.
Here's outgoing President Diane Vallere saying her giving-up-office speech.

 

Leslie Budewitz (L), also a former President of SinC, along with Sheila

 


Saw lots more people I know from previous adventures, like Holly West and Neliza Drew
Sadly did not get a pic of their cohort, Josh Stallings


And Lou Berney, Katrina and Chris Holm, flanked by the ever-wonderful Hank Phillippi Ryan


Dana King, a man who knows the mystery genre and writes good ones
 To see an interview with Dana, click here


Ray Daniel with some friends- almost didn't recognize him, because Jay Shephard wasn't with him! (Which one is the sidekick?)
To see an interview with Ray, click here


Tom Pluck, with a fan, signing copies of his latest novel, Bad Boy Boogie
To see an interview with Tom, click here


Then photobombing Chris Irvin (right)


Other authors were out signing their books at publisher tables.
Like Barb Ross (L) and fan
To see an interview with Barb, click here


To see an interview with Cheryl, click here


The irrepressible Edith Maxwell 
To see an interview with Edith, click here


One of my new buds, Jessica Ellis Laine, with Sherry Harris

 

 Maine author James Hayman, looking wicked surprised!


Another person I had fun meeting- Rick Ollerman



Here's Kat Richardson with Leigh Perry/Toni Kelner
To see an interview with Leigh, click here


Kate Stine, of  Mystery Scene Magazine, with Hank


Doug with Brendan DuBois, who did better on Jeopardy than I did


Can you tell we're in Canada? That's a real live Mountie keeping a close eye on Edith


And more uniforms- Jayne Barnard adds a steampunk vibe


Writing legend David Morrell with Hank


Some fun folks I met from the Twin Cities Sisters in Crime chapter.
So we threw together a team for the Author Trivia, got the outer-outer-outlying table, and proceeded to heckle after we were treated like troublemakers.
So we escaped- a perilous adventure.
After a dangerous journey, we made it to the bar, where we calmed our nerves and wrote a musical about our escapade. It's sure to win all major awards- as long as Lin-Manuel Miranda has nothing in the running.
L to R- Mindy Mejia, Jessica Ellis Laine, Devin Abraham, Sherry Roberts


Bruce Coffin signing books, here with Mo Walsh, our New England Chapter President of the Mystery Writers of America.



Here's authors Helen Wilkie and Cynthia Drew


More of our local folks I said hi to but didn't get a chance to see more of:
Julie Hennrikus
 Hallie Ephron
Paula Munier
Clea Simon

 And so many more! Once again, it was magical, and a great time. If you're a mystery fan or a writer, you should come take part in a Bouchercon. Next year, St. Petersburg, Fla!





Saturday, March 5, 2016

Interview With Chris Irvin

Another great interview today, with crime writer Chris Irvin.

One thing he doesn't mention here is that he works hard to help promote other authors at the local Noir at the Bar events. Here's a link to the one I read at.

And check out the offer at the end, with a chance to win!

This is his collection of short stories, which we'll be discussing here. But he's got more, so check it out.



Q: So how did this collection come to be? Was it envisioned from the start as a bigger canvas, or did it expand organically out of an idea? Please tell us a bit about the origin.

A: Since around the time I began writing short fiction (~2010) I wanted to eventually put together a collection. This was before I'd attempted anything longer, and so it was the first book I really envisioned with my name on the spine.  It wasn't until sometime in 2014 that I put together a running list of stories that I wanted to include. There wasn't much of a theme at the time – more so my favorites or pieces I thought were good enough to make the cut. In the end I chose eleven stories, which were cut to nine after two were deemed to be published too recently elsewhere, and wrote four new stories last spring to round it out. I wrote the new stories in a period of about five weeks (deadlines!). Without a doubt it was my most exhausting time writing, but I think they are some of my best work.


Q: Did you start with the germ of an idea and start writing to see where it went, or did you map a good deal out in your head (or even outline) before crafting?

A: I'll do a rough outline (at best) for short stories. I more often think about a story a lot before putting pen to paper. I also almost always begin a story longhand. It helps me feel a story out and get down the tone, and – most importantly – stops me from editing. I have a tendency to heavily edit while typing, especially the first couple of paragraphs. I can spend/waste (depending on how you look at it) an entire morning this way. I've fully embraced this now, to the point where I'm writing the first draft of my WIP novel entirely long hand. I lose too much momentum if I switch to typing midway through a story.


Q: What do you feel is the main theme(s)?

A: I ended up building the collection around family when I realized so many stories centered on it in one form or another. When I finished writing the new stories, I noticed a strong sense of anxiety running throughout, as well. Readers also picked up on melancholia and regret, with the book straddling a bit of crime and literary fiction. It's been fun to see what readers take away from the book.


Q: Why do you feel this is important, and what would you want a reader to take away from reading this book?

A: Family is very important to me and my identity. I think that's why I keep returning to the well, so to speak. I was pretty anxious as a young kid, and those memories really stuck with me. I can't get enough of melancholia – I'm on a huge nostalgic kick right now. I hope readers see some of these aspects, but having a story or moment in the book stick with them after putting it down is the best compliment.


Q: What makes a good book or engaging story?

A: It has to make me care, and that, for me, comes down to characters. It can be the greatest plot in the world, but if I don't empathize with the character(s) and want to stick with them for the ride (likeable or not) it will be hard for me to continue.


Q: Are there writers with similar themes to yours? Who are your influences (can be writers, or even artists, musicians, or others) and what is it about their work that attracts you?

A: I don't know about similar themes, but I really admire writers who straddle literary and genre lines. That's not to knock "pure genre," but the focus on character in the former really has my attention as of late. Writers like Richard Lange, William Boyle and Megan Abbott on the crime side, or T.E. Grau, Nathan Ballingrud, and Paul Tremblay on the horror side. I could go on and on. I read someone compare the stories in SAFE INSIDE THE VIOLENCE to Tom Perrotta's short fiction, so if you enjoy him take it for a spin.


Q: Is storytelling mostly entertainment, or does it serve other functions? Do you have particular goals other than telling a good story?

A: Storytellers should entertain, but stories can absolutely be more – from providing escape, to coping, to the ability to explore the world from other perspectives. They can help people learn about themselves and others, and grow from the experience. I want to tell a good story, but I hope there is something underneath that the reader can walk away with.


Q: Any other goals you've set for yourself, professionally or personally?

A: I plan to write one novel a year, plus short stories and comics. I'd love to see some success on the comic side of things, and try my hand at a screenplay eventually. Baby steps. It's a marathon.

Q: Some writers write fast and claim not to rewrite much. Do you do this, or painstakingly revise? When you send the book off to the publisher, are you happy with it, or just tired of it?

A: I do a great deal of revision, adding more than taking away. I'm an underwriter as opposed to someone who writes 100k+ words and cuts to ~80k. Regarding my state when I hand off a project… it depends. I was exhausted with SAFE INSIDE THE VIOLENCE, but very happy with how it turned out. Maybe the best of both worlds with that one – believing you've done everything you can do and being happy with it.


Q: Do you have good editors, and if so, how do they help you? Do they look for particular things? Do you have different people for different editing levels?

A: I've been very fortunate to have had excellent critique partners – and a wonderful wife who gives my first drafts the third degree. I honestly believe I'd be nowhere if it weren't for them. You need feedback – honest feedback – in order to grow as a writer.


Q: If a writer came to you for advice, how would you help?

A: You need to love to write. Be honest with yourself because it takes a strong commitment with potentially years of little money or recognition. To that end – write, finish as much as you can. Proving to yourself you can finish a piece is very important. And read as much as possible – especially outside of your style/genre/comfort zone.


Q: What's the next step in your writing world?

A: Selling my first novel and/or finding an agent.


Q: Tell us a fun fact about yourself.

A: I'm a huge fan of foreign films, especially those from Korea.


Q: Any other information you'd like to impart?

A: One of the most rewarding aspects of the release of SAFE INSIDE THE VIOLENCE is the wide audience it seems to have found. I'm not sure why – perhaps because it's my third release, or just the largest of the three. But I hope both crime and literary fans continue to give it a shot.

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Web page: Christopherirvin.net

Where to buy: Your local bookstore! Or Amazon – where the paperback is currently 35% off.

Okay- here's the offer-  review SAFE INSIDE THE VIOLENCE by 3/31 on Amazon or Goodreads, and you'll be in the running to win one of five copies of Chris' cool novella, BURN CARDS.

Here's a link with more




Hmmm- doesn't look like a hardened criminal type of guy...