We're meeting author Bill Rockwell today, to talk about his latest novel,
Heaven's Conflict: The Rise and Fall of Angels.
He tells us about lessons learned in writing his books, so this should be of interest to other writers as well as readers.
Q. You’ve now published three novels. What have you learned from your experience that may help other writers?
A. I learned much with the publication of my first novels, especially the mistakes. Hopefully, I won’t make the same ones in my next novel. The title of my first novel, Generation Z, Birth of the Zompire, which is a vampire love story, is simply too long. The problem: as readers try to find me on Amazon or elsewhere, my novel doesn’t come up until they type the last letter in Zompire. So, it’s hard to find. I could have made the second phrase a subtitle, but, even better than this, I should have titled it simply: “Zompire.”
The lesson: Keep It Simple: make your book easy to find in search engines and websites.
Q. Did this help with the second novel?
A. Yes, but I still made a mistake in the title. The novel is a murder mystery entitled Not Privileged to Know, a phrase drawn from the novel. It fits the story perfectly; however, again, people are having trouble finding the novel. It’s not the length this time; it’s one word: ’Privileged.’ They either add the letter ‘d,’ or spell it with an ‘a’ or an ‘e’ where there should be an ‘i.’ I have tried to correct this (without changing the title) by making ‘Not Priv,’ and the letters ‘NPTK’ and ‘nptk,’ drawn from the title, searchable.
The lesson: Use Easily Spell-able Words.
Q. You’ve called this trilogy ‘The Privileged’ series. Since you ran into a problem with spelling, are you going to use ‘Privileged’ in the next two in the series?
A. No, I’ve decided to change the titles of these sequels. Instead of Privileged Information and Privileged Few, they will now be titled Need to Know and In the Know. The series link will now be the ‘Know’ series. Hopefully, that will solve the problem.
The lesson: Be prepared to change mid-stream, especially if dictated by either readership praise or problems.
Q. What about Heaven’s Conflict, The Rise and Fall of Angels, A Novel? That title is long; how are you going to prevent problems with that title?
A. This is an inspirational novel that required a lot of research. This delayed its publication. While doing the research, I wrote and published my first two novels. So, I had already decided on its title, and didn’t want to change it; however, trying to apply the above principles, the searchable title has become Heaven’s Conflict. The rest is subtitle. I’m a little worried the apostrophe may cause a problem. So, both Heaven and Heavens are searchable in the title as well.
The lesson: Search for your title in Amazon and other search engines to see what happens, what other books bear that title, and try misspelling some words as a reader might. Then, make those misspellings searchable.
Q. You used the word ‘Novel’ in the title. You didn’t do this in the first two. Why?
A. I was afraid people might think this book is a non-fiction commentary concerning Angels. It’s not. It’s my (fantasy) story of Lucifer’s downfall from God’s Grace soon after his creation. It’s a Good versus Evil story that I hope is both entertaining, exciting, and inspirational to readers since it involves true friendship, love and forgiveness, hopefully, without being too preachy.
The lesson: Make sure readers receive what they purchased (besides a great story, edited carefully). You don’t want them misled by the title, jacket info, or back cover summary.
Q. Did you footnote any quotes from the Bible?
A. No, although there are quite a few. I thought footnoting would interfere with the readers enjoyment of the story flow, and might make the book too preachy or seem like non-fiction. In my author note at the end, I explain this, and suggest that, if they want to know where any quote they recognizes appears in the Bible, they should search it in any (Bible) search engine.
The lesson: Most good books I’ve read capture me on the first page, and flow nonstop until the end. Don’t put anything in the book/story that will stall your readers, or stop them cold.
Q. Are you worried about readers reaction to the religious nature of the novel?
A. Yes, especially since one of my editors pointed this out, stating that I’d better be ready to endure the sticks and stones that will be thrown my way after its publication. He explained that non-believers (in God) will complain about the religious content (for example, that there is a God at all), and the true believers might complain that what I wrote isn’t in the Bible, or that the symbols I used are not correct, or that they might object to the personalities I’ve given to the Archangels, Lucifer, or even God. My simple answer to all these is that it’s a fictional story I created using the Bible’s content for guidance, but it is my (fictional) story, and I wrote it as it came into my mind. I believe in God, and read the Bible, and tried to stick to the first few books of the Bible, drawing some from Revelation as well. I had it checked by two Biblical scholars (Catholic and Jewish) and four Priests (three Catholic and one Southern Episcopal) to ensure that it doesn’t conflict with anything that is stated in the Bible; hopefully, it doesn’t.
The lesson: Be sure any research you do is totally accurate, even if the book is fiction, and use multiple experts, if available. I’ve read novels who have locations or technology totally wrong for that story’s location or time period (poor research and editing). These errors pull the reader out of the story, decreasing both pleasure and credibility as an author.
Q. Are you ready to endure those sticks and stones?
A. Yes, I believe so, or, maybe I should say, I hope so. A little controversy about the novel would actually attract more readers, and, therefore, be good. However, I never acquired a thick skin, so I may have some discomfort coming my way. I’m hoping more readers enjoy the story, and stand behind and enjoy what I did rather than attack me or my writing technique/research.
The lesson: Be brave enough to finish your work and risk public exposure for your story, especially if you believe in it. If you don’t, you will never be published, and only your family will read your story. Most writers, including myself, want more readership than that.
Q. Are there any other books about the Archangel Lucifer presently available?
A. Yes, both books and films, but most concern Lucifer’s exile to Earth and his conflict with God through Humans. I wrote about his initial hate for God and his lust for God’s Throne before Adam and Eve were exiled from the Garden of Eden, concluding with Lucifer’s condemnation to Hell. Everyone knows the story in general, but the Bible doesn’t give great detail to this event. I took this idea and expanded it into what would have been the most significant confrontation ever with the sovereignty of God’s Throne at stake. As I said, I hope it provides an entertaining (fantasy) story for my readers, as well as being inspirational, whether they believe in God or not.
The lesson: Again, research the story to find what’s out there. I may have missed a story, or one might have come out after my final edit, but I’ve tried my best, and this story is mine. If you find a similar story about your topic, you can still pursue your idea, but don’t plagiarize any of the other story. Make it totally your own.
Q. What does the future hold for your writing?
A. All three of these novels are the first of trilogies. I need to write the next installments. Currently, thanks in part to you and other bloggers who posted blogs concerning my Zompire novel, my second novel, Not Privileged to Know, is selling very well. The next story I turn my attention to will be determined by my readership. All are outlined, and ready to be fleshed out. I have another murder mystery already written and in the editing phase. It should be ready in late 2015. The second volume of one of my trilogies will then appear in 2016.
The lesson: Keep writing, no matter what problems confront you. For me, I’ve written my entire life. I am always working on my ‘next’ novel, even if it never reaches publication. Writing is like any art: the more you practice, the better you become, and the more you learn. Write every day, even if only a few lines, and always keep a pencil and paper by your bed and in your pocket (yeah, I’m one of those nerds with pen and paper in my shirt pocket at all times) to write ideas, outlines, or a few words that might be spoken by one of your characters in a future novel.
Q. Where can readers find out more about your novels and order them?
A. Information on my books (summaries and first chapters) can be found on my webpage: http://billrockwell.net
They can also order the books from amazon.com and at any bookstore. They are available in both paperback and for all E-Book readers. The audiobooks should be out later this Fall.
Showing posts with label William Rockwell. Show all posts
Showing posts with label William Rockwell. Show all posts
Wednesday, October 1, 2014
Wednesday, May 7, 2014
Interview With Author William Rockwell
We're pleased to present author William Rockwell, and talk with him about his new release.
Q: So how did this novel come to be? Was it envisioned from the start as a bigger canvas, or did it expand organically out of an idea? Please tell us a bit about the origin.
Very often, ideas for novels come to me from events in my life. My new release, Not Privileged to Know, a murder mystery and political thriller, started as an idea about a woman who’s lost her way in the world without realizing it. My sister-in-law had passed away unexpectedly, and, as I tried to help my wife and family deal with this tragic event, the idea of a murdered twin, connected by more than birthday leapt into my mind. So, I gave them a psychic connection. When the twin is murdered, the protagonist, Corinne, is left alone for the first time in her life, and struggles to survive. Because of the unfortunate political corruption in our leaders, I decided to add an element of this and, since conspiracy theories abound everywhere, I wove in a conspiracy.
Q: Did you start with the germ of an idea and start writing to see where it went, or did you map a good deal out in your head (or even outline) before crafting?
I try to have both a beginning and a satisfying ending in mind before I tackle the meat of the story. Without dealing out spoilers, the ending seemed to fit the character’s (supposed) resolution of some of her problems, while revealing the basis and parties behind the conspiracy. I don’t necessarily write from a full outline like many authors. I find it easier to use a very broad outline, filling in the missing parts, chapter by chapter, as I write.
Q: What do you feel is the main theme(s)?
Self confidence in dealing with seemingly insurmountable obstacles is the main theme. After her twin’s death and lost connection with her, Corinne doesn’t think she can even continue her life, much less do anything constructive, but she is then confronted with having to try to solve her twin’s murder when the authorities close the investigation. She, however, is not sure she can handle it, but must. Trusting others also materializes in the story as Corinne learns she has aligned herself with the wrong people, and now must learn to trust new ones, but how can she choose? She has no idea, but must learn if she doesn’t want to become the conspiracy’s next victim. Excesses in life are evident in Corinne’s life, and she learns that these excesses have not only led her down the wrong path to true happiness, but may have even contributed to her twin’s death.
Also, True Love versus infatuation or superficial love.
Q: Why do you feel this is important, and what would you want a reader to take away from reading this book?
Besides Faith in God (Corinne had this belief, but had lost it as she succumbed to the temptations and pleasures in the secular life), one’s inner strength and support of those around us are all we have to support us in struggling with the problems of life. We also don’t know how strong we truly are until we face these struggles and find a solution to those problems, or have our friends lead us toward that solution.
Q: What makes a good book or engaging story?
A character faced with a quest, involving personal or a loved one's safety, or a threat to society as a whole. If the hero/heroine succeeds, all is well, but the threat of failure must be present around every corner for the reader to continue to the next chapter.
Q: Are there writers with similar themes to yours? Who are your influences (can be writers, or even artists, musicians, or others) and what is it about their work that attracts you?
Both Orson Scott Card and Alan Dean Foster have character-driven stories that entice one to continue to read, not only that book, but the subsequent novels with those characters as well. I still enjoy re-reading Roger Zelazny and Sir Arthur Conan Doyle. They have characters that never grow old, and books that demand re-reading.
Q: Is storytelling mostly entertainment, or does it serve other functions? Do you have particular goals other than telling a good story?
Entertainment is always number one in my book. If nothing else, the reader should enjoy curling up with one of my novels. There is always a theme in my novels, however. For example, my vampire love story, Generation Z, Birth of the Zompire, is a Good vs. Evil story with the Good represented by the Zompire (combination of vampire and zombie) fighting the Evil vampire, with all human society at risk.
Q: Any other goals you've set for yourself, professionally or personally?
I am a retired physician and love to travel. I would love to travel to some exotic places and write a story with that place as a background. I also would like to write some novels in the town in which I live (in Connecticut).
Q: Some writers write fast and claim not to rewrite much. Do you do this, or painstakingly revise? When you send the book off to the publisher, are you happy with it, or just tired of it?
I try to write every day. I have the ability to read multiple books at one time, and I find I can write the same way. That being said, I tend to write one chapter, and then go back to edit it once. I may switch to another story, or next chapter, depending on how the mood strikes me. Once finished with the novel, I re-edit it at least twice before sending it off for professional editing. Even then, I will re-read the novel, checking for words that could be more descriptive or action packed. This is the most painstaking part of my editing, and takes the longest, but makes for a better “read” in the end.
Q: Do you have good editors, and if so, how do they help you? Do they look for particular things? Do you have different people for different editing levels?
I have multiple editors. One is great for story line and flow. I get his edit back with entire paragraphs crossed out, or moved to another part of the chapter or story. Another is great with words and their exact meaning. This one gets it after my word editing. IE I had used fainting when I meant feigning, and missed it even with my word editing (done twice on this novel). A third editor checks for grammar, although I usually pick up these on my own multiple edits.
Q: If a writer came to you for advice, how would you help?
Write every day, even if you don’t feel like it…even if only for 15 minutes, and don’t be afraid to explore new characters or genres. It may expand your writing abilities and your reader base.
Q: Stories can be told by using a different medium. Can you see your book as a film, audio, etc.? How would that alter the telling?
I actually write every story as if it’s a film. I see the action of the story, see the “actor” performing before me. I think it brings the reader into the story as they read. I would love to have one, or more, of my stories made into film.
Q: What's the next step in your writing world?
I have another novel, a inspirational fantasy about Lucifer’s downfall in Heaven entitled, Heaven’s Conflict, The Rise and Fall of Angels, written, and plan to spend the summer with editors getting it ready for publication by Fall of this year. Beyond that I have other novels (mysteries) planned for future years. Then, there’s the sequels: both Not Privileged to Know and Generation Z, Birth of the Zompire, are the first of a planned trilogy. I know what happens in both, and have multiple notes I will refer to, but have not outlined them beyond beginning, a few events in the middle, and the ending that I am shooting for.
Q: Any other information you'd like to impart?
I enjoy reading outside the genres I write. I especially like submarine novels, either submarines in the future or one’s from WWII. I think this is a good idea to keep an author’s mind fresh. Of course, one has to read within your genre, and belong to organizations in that genre, but I (and presumably) other authors need to exercise their mind…like cross training.
---
Web page: http://billrockwell.net
Where to buy: Directly from my website: http://www.createspace.com/4224925
It’s also available from Amazon, and E-Retailers for E-Readers
Q: So how did this novel come to be? Was it envisioned from the start as a bigger canvas, or did it expand organically out of an idea? Please tell us a bit about the origin.
Very often, ideas for novels come to me from events in my life. My new release, Not Privileged to Know, a murder mystery and political thriller, started as an idea about a woman who’s lost her way in the world without realizing it. My sister-in-law had passed away unexpectedly, and, as I tried to help my wife and family deal with this tragic event, the idea of a murdered twin, connected by more than birthday leapt into my mind. So, I gave them a psychic connection. When the twin is murdered, the protagonist, Corinne, is left alone for the first time in her life, and struggles to survive. Because of the unfortunate political corruption in our leaders, I decided to add an element of this and, since conspiracy theories abound everywhere, I wove in a conspiracy.
Q: Did you start with the germ of an idea and start writing to see where it went, or did you map a good deal out in your head (or even outline) before crafting?
I try to have both a beginning and a satisfying ending in mind before I tackle the meat of the story. Without dealing out spoilers, the ending seemed to fit the character’s (supposed) resolution of some of her problems, while revealing the basis and parties behind the conspiracy. I don’t necessarily write from a full outline like many authors. I find it easier to use a very broad outline, filling in the missing parts, chapter by chapter, as I write.
Q: What do you feel is the main theme(s)?
Self confidence in dealing with seemingly insurmountable obstacles is the main theme. After her twin’s death and lost connection with her, Corinne doesn’t think she can even continue her life, much less do anything constructive, but she is then confronted with having to try to solve her twin’s murder when the authorities close the investigation. She, however, is not sure she can handle it, but must. Trusting others also materializes in the story as Corinne learns she has aligned herself with the wrong people, and now must learn to trust new ones, but how can she choose? She has no idea, but must learn if she doesn’t want to become the conspiracy’s next victim. Excesses in life are evident in Corinne’s life, and she learns that these excesses have not only led her down the wrong path to true happiness, but may have even contributed to her twin’s death.
Also, True Love versus infatuation or superficial love.
Q: Why do you feel this is important, and what would you want a reader to take away from reading this book?
Besides Faith in God (Corinne had this belief, but had lost it as she succumbed to the temptations and pleasures in the secular life), one’s inner strength and support of those around us are all we have to support us in struggling with the problems of life. We also don’t know how strong we truly are until we face these struggles and find a solution to those problems, or have our friends lead us toward that solution.
Q: What makes a good book or engaging story?
A character faced with a quest, involving personal or a loved one's safety, or a threat to society as a whole. If the hero/heroine succeeds, all is well, but the threat of failure must be present around every corner for the reader to continue to the next chapter.
Q: Are there writers with similar themes to yours? Who are your influences (can be writers, or even artists, musicians, or others) and what is it about their work that attracts you?
Both Orson Scott Card and Alan Dean Foster have character-driven stories that entice one to continue to read, not only that book, but the subsequent novels with those characters as well. I still enjoy re-reading Roger Zelazny and Sir Arthur Conan Doyle. They have characters that never grow old, and books that demand re-reading.
Q: Is storytelling mostly entertainment, or does it serve other functions? Do you have particular goals other than telling a good story?
Entertainment is always number one in my book. If nothing else, the reader should enjoy curling up with one of my novels. There is always a theme in my novels, however. For example, my vampire love story, Generation Z, Birth of the Zompire, is a Good vs. Evil story with the Good represented by the Zompire (combination of vampire and zombie) fighting the Evil vampire, with all human society at risk.
Q: Any other goals you've set for yourself, professionally or personally?
I am a retired physician and love to travel. I would love to travel to some exotic places and write a story with that place as a background. I also would like to write some novels in the town in which I live (in Connecticut).
Q: Some writers write fast and claim not to rewrite much. Do you do this, or painstakingly revise? When you send the book off to the publisher, are you happy with it, or just tired of it?
I try to write every day. I have the ability to read multiple books at one time, and I find I can write the same way. That being said, I tend to write one chapter, and then go back to edit it once. I may switch to another story, or next chapter, depending on how the mood strikes me. Once finished with the novel, I re-edit it at least twice before sending it off for professional editing. Even then, I will re-read the novel, checking for words that could be more descriptive or action packed. This is the most painstaking part of my editing, and takes the longest, but makes for a better “read” in the end.
Q: Do you have good editors, and if so, how do they help you? Do they look for particular things? Do you have different people for different editing levels?
I have multiple editors. One is great for story line and flow. I get his edit back with entire paragraphs crossed out, or moved to another part of the chapter or story. Another is great with words and their exact meaning. This one gets it after my word editing. IE I had used fainting when I meant feigning, and missed it even with my word editing (done twice on this novel). A third editor checks for grammar, although I usually pick up these on my own multiple edits.
Q: If a writer came to you for advice, how would you help?
Write every day, even if you don’t feel like it…even if only for 15 minutes, and don’t be afraid to explore new characters or genres. It may expand your writing abilities and your reader base.
Q: Stories can be told by using a different medium. Can you see your book as a film, audio, etc.? How would that alter the telling?
I actually write every story as if it’s a film. I see the action of the story, see the “actor” performing before me. I think it brings the reader into the story as they read. I would love to have one, or more, of my stories made into film.
Q: What's the next step in your writing world?
I have another novel, a inspirational fantasy about Lucifer’s downfall in Heaven entitled, Heaven’s Conflict, The Rise and Fall of Angels, written, and plan to spend the summer with editors getting it ready for publication by Fall of this year. Beyond that I have other novels (mysteries) planned for future years. Then, there’s the sequels: both Not Privileged to Know and Generation Z, Birth of the Zompire, are the first of a planned trilogy. I know what happens in both, and have multiple notes I will refer to, but have not outlined them beyond beginning, a few events in the middle, and the ending that I am shooting for.
Q: Any other information you'd like to impart?
I enjoy reading outside the genres I write. I especially like submarine novels, either submarines in the future or one’s from WWII. I think this is a good idea to keep an author’s mind fresh. Of course, one has to read within your genre, and belong to organizations in that genre, but I (and presumably) other authors need to exercise their mind…like cross training.
---
Web page: http://billrockwell.net
Where to buy: Directly from my website: http://www.createspace.com/4224925
It’s also available from Amazon, and E-Retailers for E-Readers
Labels:
Interview,
William Rockwell,
Writers,
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